English, 1792-1867 Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes.   Related Paintings of Pollard, James :. | The Last Mail Leaving Newcastle, July 5, 1847 | Hatchetts- The White Horse Cellar, Piccadilly | A Street Scene with Two Omnibuses | The Royal Mail Coaches for the North Ieaving the Angel Islington | A Meet Outside The Swan inn |
Related Artists:
Charles Poerson
French Painter, 1609-1667 He studied under his own father Charles Poerson (himself a former pupil of Simon Vouet) and under Noël Coypel. His notable works include "Dispute Between Neptune and Minerva" at Chateau de Fontainebleau, "Union of the Academie royale de Paris and the Academy of Saint Luke in Rome" at Versailles and participation in the decoration of the Hotel des Invalides. He was buried in San Luigi dei Francesi, Rome, in a tomb attributed to the sculptor Pierre de L'Estache, who later became another director of the Academy.
Salomon Rombouts
Dutch Baroque Era Painter, ca.1650-1702
Cornelis Bol
Dutch, born circa 1589-1666,Painter, etcher and draughtsman, active in London. He was probably from a family of painters originating in Mechelen who later settled in Antwerp. Bol and his wife were members of the Dutch Church in London in 1636. An etching of an Action between the Dutch and Spanish Fleets (Oxford, Bodleian Lib.) is signed and dated 1639, and a set of etchings by him after Abraham Casembrot ( fl c. 1650-75) includes a view of Lambeth Palace as well as four imaginary Mediterranean seaports. A signed drawing of the Blockhouse at Gravesend is in the British Museum, London. George Vertue saw at Wotton House, Bucks, 'three views of London from the River side Arundel House Somersett house Tower Lond. painted before the fire of London by Cornelius Boll: a good free taste'. They were probably commissioned by John Evelyn, the diarist, around 1660 and descended in the Evelyn family. Their attribution to Bol is confirmed by a signed version of Somerset House (London, Dulwich Pict. Gal.). Although Bol was only moderately accomplished, he was able to reproduce the distinctive light and character of the River Thames and to render the riverside and its landmarks with much topographical detail; his pictures make pleasing visual documents. The handling of the naval craft is identical in a small signed oil panel of an Action between Dutch and Spanish Ships (Amsterdam, Rijksmus.) and in other marine subjects that have appeared in London salerooms. According to Immerzeel, Bol was still working in London at the time of the Great Fire in 1666.